Pasticcini, Italian Fine Pastries

What is the correct pronunciation of “bruschetta”? Check out this and other often mispronounced Italian words.

Pasticcini are exquisite Italian fine pastries which have been perfected over the centuries to achieve the best flavors, textures, and fragrances. In the Italian tradition, assorted pasticcini are served as a dessert, as a treat to accompany coffee, tea, or hot chocolate, or as a cake alternative for celebrations and other special occasions (in which case they are usually accompanied with ‘spumante’, the Italian sparkling wine).

The word ‘pasticcino’ is a diminutive of ‘pasticcio’, which in turn derives from Vulgar Latin pasticium, a dish made by mixing various ingredients, mostly wrapped in dough (‘pasta’).

A pastry shop display
A pastry shop display.

Pasticcini can be found in two sizes: standard (2-3″ in diameter) and mignon (1-2″). The latter has become increasingly popular thanks to its sampling size, a definite plus, given the great variety of pasticcini.

Since fine pastries are difficult and time-consuming to make at home (especially if a variety of kinds is desired), Italians prefer to buy them fresh in a ‘pasticceria’ (pastry shop). Although some bakeries also sell pasticcini, most pastry shops are independent specialized stores, have extended opening hours (they’re often open on Sunday mornings, for any last minute pastry pickup), and sometimes even double as coffee bars.

A small tray of paste da tè: chocolate and pistachio shortbreads, and'Baci di Dama' (Ladies' Kisses), a traditional Piedmontese cookie made of two crumbly hazelnut or almond halves held together with a layer of dark chocolate.
A small tray of paste da tè: chocolate and pistachio shortbreads, and ‘Baci di Dama’ (Ladies’ Kisses), a traditional Piedmontese cookie made of two crumbly hazelnut or almond halves held together with a layer of dark chocolate.

Along with pasticcini, pasticcerie often also sell shortbreads and other kinds of cookies and dry pastries. Those, however, are called ‘paste da tè’ (tea pastries) and are considered a distinct product. Nevertheless, pasticcini and paste da tè are often served side-by-side to appeal to every palate.

The Italians are traditionalists when it comes to food, and pasticcini are no exception. As an interesting consequence, it’s on traditional pasticcini that most pastry chefs showcase their best techniques. Every pastry chef needs to know how to execute them flawlessly since it is on them that they are evaluated by their customers.

There are several kinds of traditional pasticcini. Some are available all throughout Italy, some are exclusively regional, and some are only made during particular times of the year. The following can be found nationwide (although some have strong regional origins).

Cannoncini (cream horns). Among the most popular pasticcini. Made with a baked horn of puff pastry (‘pasta sfoglia’), generally filled with pastry cream (‘crema pasticcera’), which may be chocolate or hazelnut flavored. They are not to be confused with ‘cannoli’ (see below), although they sound similar because both of their names derive from ‘canna’ (reed), which they resemble.

Bigné (cream puffs). Also extremely popular. Made with choux pastry filled with pastry cream (vanilla, chocolate, coffee or hazelnut flavored), with Chantilly cream (vanilla-flavored whipped cream), or with zabaione.

Sfogliatelle Napoletane. Made of a shell similar to the Greek phyllo dough and filled with ricotta and candied peel. Originally from Naples.

Crostatine alla frutta (fruit tarts). A base of baked shortbread, with a layer of custard, topped with fresh fruit, often covered with gelatin.

Crostatine con Marron Glacé (Marron Glacé tarts).

Babà. A spongy cake dipped in sugar water and rum. Also traditional to Naples, though with Polish origins.

Cigni (swans). Bigné which have been cut in half and filled with pastry cream (on the bottom) and whipped cream (on the top). A small squiggle of puff pastry is then applied on the bigné to form the neck and head of a swan.

Cannoli. Made of a fried shell, with a ricotta-based filling and flavored with candied citrus peel or chocolate chips. Originally from Sicily.

Fiamme (flames). Drop-shaped mousse (thick foams, generally chocolate-based), on a wafer or a shortbread base, usually covered in chocolate.

Tronchetti (small trunks). Rolls of sponge cake and mousse, which are then sliced in cylindrical sections.

Tartufi al cioccolato (chocolate trouffles). Chocolate and coffee ganache covered in cocoa powder.

Mini strudel. A small version of the Austrian/German strudel, a kind of pastry filled with apples, raisins, and pine nuts.

Cassatine Siciliane. A small version of the Cassata Siciliana cake, a dessert made with sweet ricotta, sponge cake, almond paste, and candied fruit. Originally from Sicily.

Chiavi di Violino (treble clefs). Liqueur-drizzled sponge cake layered with cream, covered in dark chocolate and decorated with a treble clef made of white chocolate.

Diplomatici. Layered puff pastry, sponge cake, and custard, which is then cut in squares and sprinkled with confectioner’s sugar.

Meringhe(1). Two crisp meringues enclosing a heart of whipped cream.

A basket of pasticcini (2-3 mignon per person) is also a common hostess gift.
A basket of pasticcini (2-3 mignon per person) is also a common hostess gift.

(1) Contributed by Simona.

Rice and Parsley (Ris e Erburin)

Having some more Italian (flat-leaf) parsley in my fridge, not an easy find in Vancouver, and looking for something quick to make for dinner, I naturally went back to my childhood for a dish where parsley is the absolute star of the show: a simple soup of rice and parsley. I remember very well my grandma making this dish in the summer, especially when there was a storm approaching and the parsley in the orchard had to be cut quickly so that it wouldn’t get mangled by the rain.

Like for most northern Italian preparations (Pizzoccheri, for instance), this dish is almost unknown outside of its region of origin. For this reason, for the first time in this blog, I decided to mention in the title the dish’s name in Lombard dialect: “ris” (rice, or “riso” in Italian) “e” (and) “erburin” (literally ‘little herbs’, referring to parsley, or “prezzemolo” in Italian). Certainly, that’s how my grandma called it!

This soup can definitely be considered an example of Cucina Povera (“Cuisine of the Poor”) for it simplicity and its affordable ingredients. However, the version that I’m illustrating below (adapted from SaleDolce) is slightly more “decadent” thanks to the generous use of Parmigiano and of butter.

Rice and Parsley (Ris e Erburin)

Yield: 2 servings

Total Time: 25 minutes

Prep Time: 10 minutes

Cook Time: 15 minutes

Rice and Parsley (Ris e Erburin)

Ingredients

  • 3 cups light meat stock or flavorful vegetables and herbs stock
  • ½ cup Carnaroli rice (other medium-grain rices can also be used)
  • 1 ½ oz Parmigiano Reggiano, grated
  • ¾ oz unsalted butter
  • 1 bunch of fresh Italian (flat-leaf), parsley (should yield over 1 oz of leaves)

Preparation

  1. Bring the stock to a boil, then cook the rice for 15 minutes at medium-low heat.
  2. Wash and dry the parsley, then rip off the leaves and finely mince them.
  3. When the rice is ready, take it off the heat and stir in the butter, Parmigiano and parsley.
  4. Mix gently and serve in bowls, optionally sprinkled with more grated Parmigiano.
https://www.disgracesonthemenu.com/2012/09/rice-and-parsley-ris-e-erburin.html

 

Vodka Pasta (Made Vegetarian)

I’ve been away for so long that I feel almost ashamed of myself! Luckily, this is not sufficient to stop me from posting again 🙂

As you can see from the pictures below, I’m cooking in a different kitchen 🙂 – this is part of the reason for my prolonged absence: we have moved to a new apartment and I haven’t been cooking much lately, let alone blogging!

This quick and simple pasta recipe (adapted from the Silver Spoon) is another Italian classic although it’s made with vodka, a classic Russian spirit. Vodka pasta traditionally contains ham, but it can be omitted without taking too much away from the original flavor. As always when cooking with liqueurs and spirits, it has to be noted that any alcoholic content ends up evaporating completely. What is left, however, is more than the drink’s flavor – alcohol as a solvent has the ability to extract aromatic compounds from other ingredients (including some that don’t mix with water), increasing the overall flavor of the dish.

Vodka Pasta (Made Vegetarian)

Yield: 2 servings

Total Time: 25 minutes

Prep Time: 10 minutes

Cook Time: 15 minutes

Vodka Pasta (Made Vegetarian)

Ingredients

  • 2 Tbsp unsalted butter
  • 2 Tbsp tomato paste
  • 1 Tbsp Italian (flat-leaf) parsley, finely chopped
  • ¼ cup cream (33% fat)
  • ¼ cup vodka
  • 2 cups penne rigate (dried pasta)
  • salt and pepper

Preparation

  1. While bringing a large pot of salted water to a boil, finely chop the parsley.
  2. Melt the butter in a pan, then add the tomato paste and the parsley.
  3. Cook for 10 minutes at low heat, stirring occasionally. Meanwhile, start cooking the pasta.
  4. Mix in the cream and the vodka, then continue cooking until the vodka evaporates completely and the sauce thickens again. Season with salt and pepper.
  5. When the pasta is a couple of minutes from being ready, drain it quickly and finish cooking it in the sauce. Serve with a sprinkle of fresh parsley.
https://www.disgracesonthemenu.com/2012/09/vodka-pasta-made-vegetarian.html

Two Years of Blogging

Another year has gone by, marking Quatro Fromaggio’s second birthday, and the time for me to look back at 12 more months of blogging!

With about 30 articles published, I managed to keep my resolution of posting at least once every two weeks, having failed my real resolution to post every week. Out of the 19 new recipes, a few became quite popular, confirming that people go to food blogs when they are looking for genuine recipes.

I presented an appetizer (Cannellini and Radicchio Crostini), a summer salad (Insalata di Riso), two second courses (Asparagi alla Milanese, Frittatona di Cipolle), one side (Polenta Taragna), two desserts (Caldarroste and Tiramisu), one soup (Summer Minestra), one risotto (Saffron and Leek), several pasta dishes (Pesto, Potatoes and Green Beans Pasta, Bell Pepper Pasta, Pasta alla Norma, Egg Pasta with Green Beans and Mushrooms, Baked Shells Pasta with Ricotta and Spinach, Tagliolini with Mushrooms, Eggs and Smoked Scamorza Pasta), and, finally, the interesting Canederli, the Italian version of Knödel.

As you may have noticed, Quatro Fromaggio has the “unadvertised feature” of containing all vegetarian (lacto-ovo) recipes, most of which being first courses. This is because my wife and I have a vegetarian household and because these are the recipes that I enjoy cooking the most. In the coming year, I would like to present more sides dishes, appetizers, and a few second courses.

By posting more new recipes, I had the opportunity to work on my food photography. I still have a long way to go, but I think I managed to make my recipes look at least appetizing, which is actually quite challenging. I invested a bit in the equipment, but I also followed a few important tips, such as the ones from Michael Ray and from Katherine Martinelli.

Still, recipes are not the main focus of this blog; the main focus is to talk about Italian culture and the difference between contemporary (continental) Italian food and its misrepresentations around the world. As I expected, having covered in year one all the basic Italian themes (and most of my pet peeves), I now have to dig deeper to find new topics and do much more research. This is the real reason why I have so many recipes this year, relatively to the number of articles – I keep posting recipes because the articles take longer to write! However, this also means that I’m learning a lot – instead of just comparing Italian products to their North American counterparts, I now need to understand the reasons of this difference. For the Italian Myths article, for instance, I discovered a lot about Italian-American cuisine, of which I admit I didn’t know much about. Other articles were about: Panini, Ravioli, Limoncello, Amaretti and Amaretto, Tomatoes, and Coffee.

This year I also ran one interesting experiment, the Pasta Calendar giveaway offered to all who participated in a Quiz on Italian cuisine. Many took the test, and I very much enjoyed looking at the results. Especially because they confirmed that there is still very much need for blogs like mine!

But the most interesting initiative of the entire year is, without doubt, the introduction of the Cannolo Award, which has gained far more popularity than I expected by reaching several acclaimed food blogs, and by being proudly displayed by most of them. The inspiration came from the many awards that food bloggers give to other food bloggers as recognition for good work and to cross-link. I’ve always dreamed of some kind of “certification” for food that is presented as “Italian”, as for any other regional or ethnic food. Wouldn’t it be awesome to dine at Paolo’s Italian Restaurant, licensed and certified? Well, I thought, at least let’s certify food blogs! I would like to thank my wife Candace for coming up with the name (which then gave birth to the logo) – I think it played a big part in the award’s success.

As usual, thanks all for reading! Please contact me if you have any request or suggestion, or please post a comment. Feedback is always welcome.

The Coffee Machines – The Evolution of Coffee Extraction

Is there more caffeine in an 8 oz medium roast drip, in a single shot espresso, or in an 8 oz dark roast drip? Where does the espresso crema come from? What is the difference between the Percolator and the Drip Pot? What is the Italian Moka? This article answers these and more questions by giving an overview of coffee: from its origins, to its composition, to the coffee machines and the different ways to brew it.

Let’s start from the core: the brewing process. The extraction of desirable substances from the coffee beans into water depends on three factors: the temperature of the water, the amount of time that coffee and water remain in contact, and the extent of the surface of contact (which is lower for a coarse grind and higher for a fine grind). As we will see, these parameters vary substantially between the different brewing methods.

The extraction ratio can be measured as the weight of dissolved grounds in the drink, relative to the total weight of the ground coffee used. Ideally, it should be between 18 and 22%, but higher ratios are sometimes desirable. The strength of a brew depends on the extraction ratio but also on the amount of water used: it can be expressed as the weight of dissolved grounds relative the weight of finished product. The strength ranges from 1.3% for the average drip coffee to 5.5% for espresso.

Besides its intensity, the extraction percentage affects the flavor of the brew. The acidic components, in fact, are easier to extract and tend to dominate in under-extracted coffee. Astringent and bitter components, instead, are harder to extract and therefore prevail in over-extracted coffee. This, combined with the type of coffee beans used and depending on the type of roasting, determines the overall the composition of the brew and its flavor.

Which has more caffeine? Espresso or drip?

Knowing the desired extraction and strength, we can calculate how much coffee grounds are needed for any type of coffee. Particularly:

– To make an 8 oz cup of drip coffee, at 1.3% strength, we need 0.1 oz of dissolved coffee grounds. Since the Drip Pot has a 20% extraction rate, we need to start from 0.5 oz (14 g) of ground coffee (20% of 0.5 is 0.1).

-To make a 1 oz cup of espresso (single shot), at 5.5% strength, we need 0.055 oz of dissolved coffee grounds. Since espresso machines have a slightly higher extraction of 22.5%, we need to start from 0.25 oz (7 g) of ground coffee (22.5% of 0.25 oz is 0.055 oz).

The interesting conclusion is that 1 single-shot espresso contains about half of the dissolved grounds than an 8 oz drip coffee. Therefore, if the same kind of beans is used, one espresso contains about half of the caffeine of one small drip coffee.

There are two main varieties of coffee beans: Arabica and Robusta. Arabica has higher amounts of oils, contains twice as much sugar (and as a result has higher acidity due to sugar breakdown), and has half of the caffeine found in Robusta.

During the roasting process, both varieties undergo major transformations. When the coffee beans reach a temperature of 160°C (250°F) the Maillard browning reaction causes them to develop the characteristic roasted color and aroma. Medium roasts are heated up to 190°C.

At around 200°C (390°F), part of the oils are driven to the surface and burn off causing a more intense burnt flavor. Some of the caffeine also burns off, while carbon dioxide (CO2) starts to develop and remains partially trapped in the beans. Dark roasts are heated to 220°C and therefore have less caffeine and oils than medium roasts. They do however contain CO2, which, as we will see, plays an important role in the production of the espresso crema.

Since the aromatic compounds and the CO2 are quite volatile, brewing should ideally take place within a few days of roasting, and within minutes of grinding.

As we mentioned earlier, the depth of the extraction depends on the brewing method used. Over the course of history, several brewing techniques have been developed, each with unique properties. Interestingly, most of them are still in use today in various parts of the world. Let’s go through the main ones in chronological order.

Circa 1450 – 1700. Coffee is born in the Sufi monasteries around the city of Mocha (in Yemen, southern Arabia). Legends indicate that the practice of brewing coffee is tied to the discovery of the reinvigorating effects of caffeine. Coffee then spreads to Egypt and North Africa. During the 16th century, it reaches all of the Middle East and starts to be traded throughout the Mediterranean. As it enters Italy through the trading post of Venice, coffee expands to the rest of Europe. In the 17th century, England, France, the Netherlands, and Austria all become regular coffee importers.

During these times, coffee is exclusively brewed by direct infusion. Roasted powdered beans are boiled in sugared water (fig. 1). After bringing the mix to a boil, the unfiltered coffee is poured into cups, where it rests for a few minutes to allow for the suspended particles to sediment. Since the ground coffee can be in touch with water for a long time, direct infusion tends to over extract. Moreover, the extraction continues even after pouring, turning the coffee more and more bitter as time goes by. This simple technique is still in use in the Middle East, Greece and Turkey.

Fig. 1 - Direct Infusion
Fig. 1 – Direct Infusion

1700. In France, the grounds are isolated from the water using a cloth bag and can now be easily removed after the brew is complete.

1750. Still in France, the Drip Pot (or Filter Drip) is invented. This is the first example of percolation: hot water is poured over coffee grounds, it percolates through them (pushed by gravity), and then it passes through a filter (fig. 2). Drip Pot prevents over-extraction by limiting the amount of time that the water is in contact with the grounds and by operating with water below its boiling point. This method will become today’s American favorite, also thanks to automatic drip machines.

Fig. 2 - The Drip Pot
Fig. 2 – The Drip Pot

1800. A number of new methods are introduced:

    • The Plunger Pot (also called French Press). An improvement over direct infusion thanks to a built-in filtering system (the plunger), which pushes the grounds to the bottom through a metal mesh after the desired extraction is reached (fig. 3). The metal filter allows small particles in the drink, resulting in a more velvety coffee, whereas the lack of a paper filter allows for some of the oils to be emulsified into the drink. The Plunger Pot operates a slow extraction that requires relatively coarse grinds.
Fig. 3 - The Plunger Pot
Fig. 3 – The Plunger Pot (or French Press)
    • The Percolator. Using steam pressure, water is pushed up into a tube and forced to drop on the grounds. After percolating through, the water lands in the same container where clear water used to be. The cycle can then restart until the desired strength is reached (fig. 4). Since it operates at boiling temperature and recirculates brewed coffee through the grounds, the Percolator may over-extract. This method will become America’s favorite in the 1950s.
Fig. 4 - The Percolator
Fig. 4 – The Percolator
    • The Napoletana, or Flip Pot. Originally a French invention, the Napoletana is adopted by the Italians, and from the city of Naples, it spreads to the entire country. The Napoletana is a variation of the Drip Pot where the water is brought to a boil in a lower chamber over a source of heat. The coffee maker is then flipped upside down, the hot water percolates through the grounds and is collected into the other chamber (fig. 5). The Napoletana will remain popular until gradually replaced by the “Moka” (see below).
Fig. 5 - The Napoletana
Fig. 5 – The Napoletana
    • Vacuum, or Siphon Brewer (1830). Steam pressure pushes hot water from a lower chamber into an upper one, where it mixes with ground coffee. The pressure sustains the column of water and the infusion can occur for as long as desired. When the device is removed from the heat, the pressure of the water column drops, allowing the infusion to go back down to the original chamber, through a metal filter (fig. 6). Despite the name, no actual vacuum is created by this coffee maker – the force that pushes the coffee through the filter is exclusively gravity. The Vacuum Brewer is appreciated in Japan because of its ceremonial character.
Fig. 6 - Vacuum Brewer
Fig. 6 – Vacuum Brewer

1855. The first espresso machine is presented at Paris Expo. The machine is capable of producing individual shots of coffee expressly “on demand”, hence the name. The operating principle is simple: hot water is pushed at high pressure through finely ground coffee (fig. 7). The result, however, is a completely new product. The process extracts the oils contained in the coffee beans, which are emulsified into droplets that bound to the coffee particles in suspension in the water. The emulsification gives the drink a syrupy consistency that binds to our taste buds, accentuating the coffee flavor. The fast brewing process also rapidly extracts the CO2 stored in the grounds, causing the aeration of the emulsion and producing the persistent foam known as crema (Italian for “cream”).

Fig. 7 - The Espresso Machine
Fig. 7 – The Espresso Machine

1905. Desiderio Pavoni founds in Milan the first company that mass produces espresso machines. Throughout the 20th century, the espresso machine becomes more refined and new standards are determined in terms of ideal brewing parameters. The best results are obtained by heating water to 93°C, and by pumping it at 9 bars through a 7 g patty of compressed grounds (for a single-shot). The extraction takes 20 – 30 seconds and produces 30 – 40 ml of coffee (1 – 1.5 oz).

1933. The Italian “Moka” is patented by Luigi De Ponti for Alfonso Bialetti. Also known in Italy as ‘caffettiera’ (coffee maker), the Moka is a particular kind of percolator where the water goes through coffee grounds while still on its way up, as it is pushed into a funnel by steam pressure (fig. 8). Just like the espresso machine, the Moka operates a quick extraction and requires finely ground coffee. Since it operates at boiling temperature, it produces a slightly over-extracted coffee, which is however popular in Italian homes.

Fig. 8 - The Italian Moka
Fig. 8 – The Italian Moka

1970. Home espresso machines appear, but they have limited success because expensive and hard to operate.

1990-2000. More practical home espresso machines enter the market. These can be fully automatic (with a built-in grinder) or based on coffee pods or capsules. The new machines are more reliable and increase in popularity.

To conclude the overview, here is a summary of the various brewing methods with their distinguishing properties.

Brew Type Brewing Method Brewing Pressure Filtering Material Filtering Pressure
Greek/Turkish Direct Infusion None None N/A
Vacuum Brewing Direct Infusion None Metal Above Gravity
French Press Direct Infusion None Metal Above Gravity
Drip Coffee Percolation Gravity Paper, metal, plastic Gravity
Napoletana Percolation Gravity Metal Gravity
Percolator Multiple Percolation Gravity Metal Gravity
Italian Moka Percolation Steam Metal Steam
Espresso Percolation Pump Metal Pump

Links and references:

– David Joachim, Andrew Schloss, A. Philip Handel. The Science of Good Food: The Ultimate Reference on How Cooking Works. 2008.
– Harold McGee. On Food and Cooking: The Science and Lore of the Kitchen. 2nd edition (2004).

– Turkish coffee http://en.wikipedia.org/wiki/Turkish_coffee
– Vacuum brewing http://en.wikipedia.org/wiki/Vacuum_brewer
– French press http://en.wikipedia.org/wiki/French_press
– Drip Coffee – http://en.wikipedia.org/wiki/Drip_brew
– Napoletana – http://en.wikipedia.org/wiki/Neapolitan_flip_coffee_pot
– Percolators http://en.wikipedia.org/wiki/Percolator
– Italian Moka – http://en.wikipedia.org/wiki/Moka_pot
– Espresso – http://en.wikipedia.org/wiki/Espresso

Copyright notices:

– The vintage poster used for this article (by Henri Privat-Livemont, published in Paris in 1897) is royalty-free.
– All illustrations © Quatro Fromaggio. All rights reserved.

Summer Minestra

For a summer meal, soup is probably not the first thing that comes to mind. But it’s in the summer that we have the best local vegetables and that the body needs fewer calories and more hydration. A soup can actually make for a great summer dish, especially if served lukewarm.

This recipe is for a ‘minestra di verdure’, a soup of unstrained vegetables (and legumes), which can optionally contain pasta or rice. The well known ‘minestrone’ is just a kind of minestra, usually richer and thicker. In a ‘passato di verdura‘, instead, the vegetables are strained after cooking, either by hand or by using a food mill. The term ‘zuppa’ generically refers to any kind of soup, including broths.

Soups are considered by many as the simplest dishes to make, but making a good soup is not trivial. The ingredients have to be balanced, bringing the right amounts of sweet, salty and sour to the dish, and the right amount of fats. In a minestra, the texture and the appearance are also important – the ingredients need to remain distinct despite the prolonged cooking necessary for the flavor to develop.

Italian soups are sometimes served with a sprinkle of Parmigiano, or with a drizzle of extra-virgin olive oil, and they may be accompanied by ‘crostini di pane’ (bread croutons).

Minestre can be made of countless vegetables and legumes combinations. Here is the recipe for the minestra in the picture above.

Summer Minestra

Yield: 4 servings

Total Time: 2 hours, 20 minutes

Prep Time: 20 minutes

Cook Time: 2 hours

Summer Minestra

Ingredients

  • 1 Tbsp olive oil
  • ½ onion, sliced
  • 1 carrot, finely diced
  • 2 sticks celery, finely diced
  • 3 or 4 leaves kale, coarsely sliced (a good replacement for 'cavolo nero')
  • 3 or 4 leaves cabbage, coarsely sliced
  • 2 small potatoes, diced
  • 3 Roma tomatoes, diced
  • 4 cups water
  • salt and pepper
  • 4 slices of hard crust bread, toasted and sliced

Preparation

  1. Stir fry the onion, carrot and the celery in olive oil at medium heat for 10 minutes until tender.
  2. Add the water, the kale, the cabbage, the potatoes and the tomatoes. Bring to a boil, then cover with a lid and lower the heat.
  3. Cook for a couple of hours, stirring from time to time. Ensure that the minestra simmers slowly and doesn't over-boil.
  4. Adjust salt and pepper to taste.
  5. Serve with bread croutons and a drizzle of olive oil (optional).

Notes

For a more filling minestra, 10-15 minutes before it's ready, add 80 grams (3 oz) of rice or small pasta (ditalini, quadretti, stelline, avemarie or regular spaghetti cut in small pieces) and ensure a steady boil.

https://www.disgracesonthemenu.com/2012/05/summer-minestra.html

 

Two Kinds of Crostini: Cannellini and Radicchio

Crostini (plural of: ‘crostino’, from bread crust) are rustic appetizers where toasted bread slices are used as a base for various toppings. In a way, a ‘bruschetta‘ can be considered a kind of crostino, but it’s generally not seen that way because of its stronger identity. Crostini may be also served as a snack or to accompany an aperitivo.

Most crostini share the same kind of base: a toasted bread slice, with fresh garlic and extra virgin olive oil. Countless toppings can then be added to this already delicious support. Here you will find the recipes for two of the most traditional ones: cannellini spread and stewed radicchio, both of which can be served either cold or warm.

Cannellini spread
The first topping is based on cannellini, a kind of white beans with a very thin skin, delicate flavor and a starchy texture. Cannellini are also used to thicken soups and in the famous Pasta e Fagioli.

Stewed Radicchio
The second topping is based on radicchio, an Italian vegetable that belongs to the same family of chicory, escarole, and Belgian endive, and with which it shares a bitter flavor. To counter the bitterness, radicchio is often generously salted and/or paired up with salty cheese (especially Parmigiano).

Two Kinds of Crostini: Cannellini and Radicchio

Yield: 8-10 crostini

Total Time: 30 minutes

Prep Time: 10 minutes

Cook Time: 20 minutes

Two Kinds of Crostini: Cannellini and Radicchio

Ingredients

     Base ingredients

    • 8-10 slices of ciabatta or baguette, toasted
    • 1 garlic clove, pealed
    • Some extra virgin olive oil

     Cannellini spread

    • 1 Tbsp olive oil
    • 1 garlic clove, mashed
    • 1 sprig of rosemary, finely sliced
    • 1 can of cannellini (~400g), drained
    • salt and pepper
    • 1 Tbsp balsamic vinegar

     Stewed radicchio

    • 1 Tbsp olive oil
    • 1 big shallot, thinly sliced
    • 1 radicchio, sliced
    • 2 Tbsp red wine
    • salt and pepper
    • 1 Tbsp of Parmigiano, coarsely grated or slivered

    Preparation

       Base preparation

      1. Toast or char-grill the bread making sure it doesn't dry out completely.
      2. Rub each slice with the garlic (the roughness of the toasted bread will act as a scraper).
      3. Drizzle with the olive oil.

       Cannellini spread

      1. Roast the garlic in the olive oil until golden.
      2. Add the rosemary and the cannellini.
      3. Cook for 5-10 minutes.
      4. Mash the beans coarsely by using a fork.
      5. Adjust salt and pepper.
      6. Spread on the crostini and then drizzle with balsamic vinegar.

       Stewed radicchio

      1. Roast the shallot in olive oil for a couple of minutes.
      2. Add the radicchio and keep roasting for 2 more minutes.
      3. Add the wine and allow it to evaporate.
      4. Lower the heat and cook for 5-10 minutes or until the radicchio softens.
      5. Adjust salt and pepper.
      6. Place on the crostini and then sprinkle with Parmigiano.
      https://www.disgracesonthemenu.com/2012/05/two-kinds-of-crostini-cannellini-and.html

       

      Tomatoes and Pomodori – Differences Between Italy and North America

      Everyone who has visited Italy agrees – Italian tomatoes are much more than a condiment for burgers or a colorful decoration! They are indisputably full of flavor, a fundamental part of the diet of the Italians, and a defining ingredient in their cuisine.

      Originally domesticated in Mexico and only brought to Europe by the Spanish traders in the 1700’s, similar tomato varieties are found in both North America and Italy. Why is the flavor so much different then? The composition of the soil and the exposure to sunlight are certainly involved, but the determining factor in the difference of flavor is that most tomatoes found in North America have been cut while still green to facilitate distribution. In Italy, instead, they are generally grown locally and allowed to ripen on the vine. Note that tomatoes sold “on the vine” in North America may still have been separated from the plant well before ripening.

      Ethylene.
      Ethylene.

      For the fruit and vegetable industry, the advantage of unripe distribution is enormous. Green produce is easier to handle – it doesn’t bruise as easily and doesn’t need to be delivered as promptly. However, only climacteric fruits(1) (of which tomatoes are part) have the ability to ripen after they have been cut. During their development, climacteric fruits store sugar in the form of starch. When they are fully grown, the plant starts producing ethylene, a colorless gas that operates as a phytohormone in organizing the ripening process. When exposed to ethylene, fruits increase their respiration and the accumulated starch is converted back into sugar. During this process, the fruits themselves start producing ethylene, which in turn creates a ripening cycle that affects the entire plant and the ones nearby.

      Ethylene can also be artificially supplied to picked unripe produce with a similar ripening effect. This allows the fruit distributors to maintain the produce green until it’s about to reach the shelves, and then gas it to cause it to ripen. Unfortunately, despite their mature appearance, fruits that have been cut too early severely lack flavor. Moreover, these fruits tend to have a shorter shelf life than their naturally ripened counterparts.

      Among climacteric fruits, bananas, avocados, kiwis, and pears can fully ripen after being picked – there is no particular advantage to allow these fruits to ripen on their trees. On the other hand, tomatoes, apples, apricots, peaches, plums, mangoes, figs, cantaloupe, and nectarines keep on improving the longer they stay attached to their plants.

      Non-climacteric fruits like citrus, pineapples, strawberries, and melons don’t store sugars in the form of starch and, when cut off their vines, they arrest their development and only start to degrade, rather than ripen(2).

      Tomatoes had a very slow diffusion in Italy. In addition to their late introduction, they encountered a strong resistance due to their resemblance to the botanically related and highly poisonous nightshade. It took until the beginning of the 20th century for tomatoes to become popular. At that point, however, they became so deeply intertwined with Italian cuisine, that they changed it forever. They brought a depth of flavor that never before was found in a vegetable, and it’s nowadays impossible to imagine Italian food without tomatoes.

      The remarkable complexity of tomatoes is well represented by their distinct parts, each contributing in different ways to the flavor.

      Cuticle(1); outer fruit wall(2); central pith (3); seeds and semi-liquid jelly and juice (4).
      Cuticle(1); outer fruit wall(2); central pith (3); seeds and semi-liquid jelly and juice (4).

      Most of the tomato flavor lies in the outer wall (the sweetest part) and in the cuticle (the thin and resistant skin). The jelly and juice surrounding the seeds are instead acidic. As a result, seeded and peeled tomatoes lack flavor and acidity. In cooking, it’s recommended to keep all parts of the tomato fruit together(2), and then strain the resulting product to eliminate any unwanted seeds and skins.

      The proportions of skin, walls, jelly, and seeds vary across the different cultivars. Therefore, each of them has different culinary uses. Here are some of the most common Italian preparations that are normally associated with the main tomato varieties. To be noted that tomato juice as a drink is not listed since it isn’t popular in Italy.

      Standard globe tomatoes

      (Round, smooth, and flattened at the top and bottom. Generally 4-celled, with plenty of juice and seeds.)

      Tomatoes are healthy, both raw and cooked. While raw tomatoes contain higher levels of Vitamin C, the antioxidant lycopene (the carotenoid responsible for the red coloring) is boosted by the cooking process and protects the human body from the cell and tissue damage caused by free radicals.

      Partly or barely ripe globe tomatoes are used in salads, either by themselves, cut into slices or wedges, or with other veggies (e.g.; cucumbers and bell peppers). Salt, vinegar, and oil are normally used as a dressing. Globe tomatoes are also excellent when paired up with fresh cheese, such as mozzarella, bocconcini, fior di latte, cottage cheese, or burrata. Caprese salad, for instance, consists of tomato and mozzarella, with olive oil and optional basil or oregano. Green globe tomatoes are pickled in vinegar and oil and had as a side.

      Coeur de Boeuf (or Beefsteak)

      (Big and irregularly shaped, wider than tall. Multi-celled, moderately rich in juice and seeds.)
      The stupendously flavorful coeur the boeuf is used in big slices in salads or in sandwiches.

      Beefsteak tomato with burrata, olive oil, and oregano.
      Beefsteak tomato with burrata, olive oil, and oregano.

      Cherry or Campari tomatoes

      (Small and 2-celled.)
      Also used in salads, whole or halved, fully ripe Campari or cherry tomatoes are added to meat or fish stews.

      Campari tomatoes on the vine.
      Campari tomatoes on the vine.

      Plum tomatoes, e.g.: Roma or San Marzano

      (Oblong and smooth, more “mealy” and with fewer seed compartments.)
      Strained raw plum tomatoes are used on pizza. Their mealy texture makes them not as appealing to be eaten raw, but they are the preferred choice for all tomato sauces, generally flavored with onion, or with garlic (as in ‘marinara’), or with chili pepper (as in ‘ arrabbiata’, which also has garlic). Plum tomatoes are also best for canning, either strained, chopped or whole (usually peeled, as in the typical “pelati”). In the south of Italy, where in the summer the production of tomatoes often exceeds the consumption needs, canning of strained tomatoes (“passata”) is a common family activity.

      Grape tomatoes

      (Small plum tomatoes, the size of cherry tomatoes but oblong and mealier.)
      Grape tomatoes are generally used in salads, usually whole.

      (1) Tomatoes are fruits, being the development of the flowers’ ovaries and containing the plant’s seeds.
      (2) Harold McGee. On Food and Cooking: The Science and Lore of the Kitchen. 2nd edition (2004).

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      Tiramisu, the Uplifting Dessert

      Tiramisu (or Tiramisù, as written in Italian) is arguably the world’s most popular Italian dessert after gelato. Featured by many Italian restaurants in North America, Tiramisu is for the Italians more of a homemade party cake and an unpretentious dessert found in pizzerie and trattorie.

      What is the correct pronunciation of “bruschetta”? Check out this and other often mispronounced Italian words.

      Even though Tiramisu is a modern creation and many claim its paternity, its origins are actually unknown. The consensus is that Tiramisu as we know it became popular in the 1980s, possibly as a variation of the British trifle in which ladyfingers (called ‘savoiardi’ in Italy) and a cream of mascarpone are used instead of sponge cake and custard. Part of the dessert’s success may be due to its odd name. Although it’s the subject of another debate, most concur that it originated in the literal meaning of the Italian words ‘tirami su’: “pull me up” or “pick me up,” possibly referred to the “uplifting” or even “aphrodisiac” effects of coffee and chocolate.

      As described in the recipe below, Tiramisu is commonly flavored with rum (or brandy), coffee and cocoa powder. However, around Italy, there are also versions with very different flavors (e.g. amaretto and peaches, or limoncello and strawberries).

      All versions of Tiramisu are centered around a mascarpone filling which traditionally contains raw eggs (as in the recipe below). There are also egg-less versions in which the mascarpone is blended with whipping cream and sugar, resulting in a richer, but also heavier dessert. North American versions often contain more sugar than their Italian counterparts.

      Like trifle, Tiramisu needs to rest in the fridge for several hours to set and develop flavor. It is common to prepare it the day before and let it rest in the fridge overnight.

      Tiramisu, the Uplifting Dessert

      Yield: 8-10 portions

      Total Time: 45 minutes

      Prep Time: 45 minutes

      Tiramisu, the Uplifting Dessert

      Ingredients

      • 400 g savoiardi

       For the cream

      • 500 g mascarpone cheese (choose a good quality brand - good mascarpone tastes creamy, not cheesy)
      • 5 eggs (at room temperature)
      • 5 Tbsp sugar
      • 2 Tbsp rum (or brandy)

       For the coffee dip

      • 6 shots espresso (or an equivalent amount of strong coffee)
      • 2 Tbsp sugar
      • 1 cup milk
      • 2 Tbsp rum

       For the finish

      • ½ Tbsp unsweetened cocoa powder
      • Some shaved dark chocolate (optional)

      Preparation

      1. Whisk together egg yolks and sugar (fig. 1) until the mixture becomes lighter in color.
      2. One tablespoon at a time, incorporate the mascarpone (fig. 2). This operation is considered difficult because mascarpone and egg create an emulsion that can suddenly separate. To help prevent this, use egg yolks at room temperature* and begin by incorporating a "starter mix" made by combining a tablespoon of mascarpone and some beaten egg yolk. If the mascarpone is soft, another great option is to stir the beaten egg yolks into the mascarpone, instead of the other way around.
      3. Add the rum (fig. 3), stir slowly until absorbed.
      4. Add the beaten egg white, mixing gently from the bottom upwards in order to incorporate air (fig. 4). The egg whites will work as a stabilizer and help the mascarpone remain emulsified*.
      5. Set the cream aside (fig. 5).
      6. Prepare the coffee dip by mixing espresso and sugar, then adding milk and rum. Let it completely cool off. Dip each ladyfinger in it for a couple of seconds (fig. 6).
      7. Lay each ladyfinger in the baking pan forming a first layer of cookies (fig. 7).
      8. Add a layer of mascarpone cream, then add one more layer of cookies (fig. 8).
      9. Continue alternating the two ingredients, finishing with a layer of mascarpone (fig. 9).
      10. Using a sifter, generously cover the top with unsweetened cocoa powder (fig. 10).
      11. Then, optionally, add the shaved dark chocolate (fig. 11).
      12. Chill the finished Tiramisu (fig. 12) in the fridge for at least 8 hours, covered with tinfoil.

      Notes

      *Harold McGee. On Food and Cooking: The Science and Lore of the Kitchen. 2nd edition (2004).

      https://www.disgracesonthemenu.com/2012/03/tiramisu-uplifting-dessert.html