Tag: Italy

Chard and Spinach Gnudi, the Naked Ravioli

This recipe was adapted from Domenica Marchetti’s “Swiss Chard and Spinach Ravioli Nudi”, part of her great cookbook The Glorious Vegetables of Italy, entirely dedicated to the prominent role of vegetables in Italian food.

I chose this recipe because I wanted to recreate the gnudi I tasted in a restaurant in Florence during a recent Italian trip, which also happen to have been the first gnudi I ever tasted! Florence is a mere 300 kilometres from my hometown, but regional specialties often remain confined to their native areas.

As pointed out by Domenica, “nudi” (or “gnudi” in Tuscan dialect) means naked. This is because essentially they are “naked” ravioli, i.e. ravioli filling without the pasta wrapper. The use of ricotta makes them light and fluffy, unlike potato gnocchi, which are much denser. It’s important to note that gnudi are used in first courses instead of pasta or gnocchi, they’re not meant to be served with pasta like some kind of vegetarian meatballs!

Gnudi can be prepared in several different ways. The version chosen by Domenica (and which I recreated) sees the addition of spinach and chard (“bietola” in Italian) for a “green” dough that is delicate and smooth, and which pairs well with plain tomato sauce (described here). The process of rolling the gnudi into shape is relatively easy, but it requires time and some patience. The result is spectacular – gnudi are a great first course which can set the tone for a very special meal.

Chard and Spinach Gnudi, the Naked Ravioli

Yield: 2-3 servings

Total Time: 1 hour

Prep Time: 40 minutes

Cook Time: 20 minutes

Chard and Spinach Gnudi, the Naked Ravioli

Ingredients

  • 8 oz (225 g) green chard* leaves, ripped (*a.k.a. Swiss chard)
  • 4 oz (115 g) fresh spinach leaves
  • 6 oz (170 g) cow ricotta, well drained
  • 1 yolk
  • 1/2 cup (50 g) Parmigiano, grated
  • 1/8 cup (15 g) white flour, plus 1/4 cup (30 g) to coat the gnudi
  • 1/4 teaspoon salt
  • 1/4 teaspoon ground nutmeg
  • 1/4 teaspoon ground black pepper
  • 1 cup (240 g) tomato sauce

Preparation

  1. Wash the green chard, coarsely rip the leaves and place them, still damp, into a large pot. Cover with a lid and cook for 10 minutes at a medium heat until wilted, stirring occasionally. They will reduce their volume considerably.chard, cooking
  2. Meanwhile, wash the spinach leaves and cook them in the same way as the chard, but only for 5 minutes.spinach, cooking
  3. Remove the greens from the heat and place them in a colander to cool. When cold enough to handle, squeeze them vigorously with your hands or by wrapping them into a clean tea towel. As Domenica predicted, these quantities yielded about ½ cup of squeezed, cooked greens. Place the greens on a cutting board and chop them finely.gnudi greens
  4. In a mixing bowl, combine the chopped greens, the ricotta, the yolk, Parmigiano (keeping 1 tablespoon aside), flour, nutmeg, salt, and pepper. Mix thoroughly.gnudi mix
  5. As you bring a large pot of salted water to a gentle boil, start forming the gnudi. Prepare one bowl filled with flour, next to a plate coated in parchment paper. Using your hands, make balls of dough of about 1 inch (2.5 cm) in diameter. Roll them in the flour until uniformly coated, then place them on the parchment paper.ready to cook gnudi
  6. Boil the gnudi a batch at a time making sure not to overcrowd them (so that they don’t stick to one another, and to ensure the water remains boiling). Gently place them into the simmering water and allow them to cook undisturbed for 6-8 minutes. About half-way through the cooking, they will start floating.
  7. Gently remove the gnudi from the water using a perforated ladle, and place them into a colander. Keep them warm as you cook the next batch.
  8. Have the tomato sauce ready and kept warm in a skillet. Place 2-3 tablespoons of tomato sauce in preheated bowls. Roll the gnudi into the skillet with the sauce until coated, then gently place them into the bowls. Sprinkle with grated Parmigiano, serve immediately.
https://www.disgracesonthemenu.com/2016/03/chard-and-spinach-gnudi-the-naked-ravioli.html

[Thoughts on the Table – 43] Introducing David Scott Allen from Cocoa & Lavender

This episode’s guest is writer, photographer David Scott Allen, author of the amazing blog: Cocoa and Lavender.

I discovered David’s work only recently, but I got very quickly into it, joining its large fan base. David writes stories about food, and in doing that he provides detailed step-by-step recipes with plenty of information on each dish. And he has been doing this with strict weekly cadence since 2010!

A Classical musician by training and profession, David has traveled in Europe for extended periods and around the world, learning languages and absorbing people’s cultures, especially through their food. But out of all cultures, as you will hear, David considers himself “Italian in spirit”, having found in the Italian lifestyle his deepest connection (possibly also due to his exposure to Italy through his aunt’s marriage into an Italian family).

Join our conversation to hear David’s fascinating story directly from his own voice, with entertaining anecdotes and plenty of useful information on Italy and its true cuisine.

You can follow David Scott Allen on his blog, Cocoa and Lavender, as well as on Instagram (davidscottallen), Facebook (facebook.com/cocoaandlavender), and Pinterest (pinterest.com/cocoalavender).

Listen now!
   

[Thoughts on the Table Transcript] The Italian Wine Culture, with Diana Zahuranec

Last summer, in a podcast episode Diana Zahuranec discussed the differences between Italy and North America in how wine is produced, as well as socially perceived. Diana also went over Piedmont’s native grape varieties and wine appellations. As part of Thoughts on the Table Transcripts, this post contains the textual version of Diana’s episode.

 

Listen to the original episode

 

Paolo Rigiroli
Hello and welcome to thoughts on the table, the audio blog on food and food culture. Paolo here back with a recurring guest today, with me is Diana Zahuranec! Hi Diana.
Diana Zahuranec
Hi Paolo, it’s great to be back!
Paolo Rigiroli
I’m super happy to have you back, Diana, people have been commenting on your podcast – one of the most successful podcast [we had] was the one on the mediterranean diet we just had in January, this year.
Diana Zahuranec
Oh, that’s great – yeah.
Paolo Rigiroli
You know, you have this amazing ability to capture Italian culture and describe the Italians better than I would be able to do, being maybe too Italian…
Diana Zahuranec
Well, that must be the anthropologist in me that can observe.
Paolo Rigiroli
Yeah, it’s possible – you’re studying us. That’s what it is. But, anyway, Diana has been living in Italy for 4 years now and she works at Wine Pass, an online magazine on wine in the Piedmont area, correct?
Diana Zahuranec
Yes, it’s exactly correct, it’s in Italian and English, and it’s geared towards wine tourists that are coming to Piedmont.
Paolo Rigiroli
Excellent, and so wine – we can say – is pretty much your job right now, right?
Diana Zahuranec
Pretty much, yes (laughs)
Paolo Rigiroli
Which is fantastic because we finally get on the topic. So, yes, wine is defining of the Italian culture itself and I’d love talking about wine [in this podcast]. But, how did you get to be interested in wine – how did it start?
Diana Zahuranec
Well, my interest in wine naturally started over here, in Italy, because I moved here after college, therefore most of my time in the US I was younger and didn’t actually drink wine. And so I came to Italy, I went to the University of Gastronomic Sciences in Pollenzo [Piedmont] for a one-year masters program in Food Culture and Communications-
Paolo Rigiroli
That’s the Slow Food university, right?
Diana Zahuranec
Exactly, it’s the Slow Food university. And, during this year-long program, we had a lot of different kinds of classes and many of them would last just a couple of weeks because [we had several professors which] came from all over the world. And several kinds of these classes were tasting classes on salumi, or chocolate, or cheeses and there was also a tasting class on wine.
Paolo Rigiroli
Mhh, pretty tough there! (laughs)
Diana Zahuranec
Yeah (laughs)… “Difficult year” in Italy… And in these tasting classes there were black glasses set up in the classroom – they were opaque of course. Each one had a smell that you could find in a wine. And what we did we smelled these without looking inside and we would write down what we thought the scent was. Whether it was vanilla, or pineapple, or… something. And then we would look and see if we got it right. And it was incredible – the more we did it, after just a couple of lessons we started being able to identify it right away and we could even identify the same smell in the wines. And it was just incredible how much of a difference that made in tasting wines.
Paolo Rigiroli
Interesting.
Diana Zahuranec
Yeah, I don’t like how wine is often a very intimidating drink to people, because just knowing a little bit more about wine […] it makes it so much more enjoyable. And it’s not that difficult. So, that’s how I started getting interested in wine.
Paolo Rigiroli
It’s amazing. And now you work at Wine Pass, so I suppose you have been continuing to discover more and more about wine. And tasting more wines?
Diana Zahuranec
Yes, exactly. At Wine Pass I write a lot about the different wines of the region, or wine makers, or we go on itineraries for wine tourists and we write them out, we map them out, tell people where they could eat or buy a bottle of wine, and so forth. And the more I write about this, the more I learn about wines and wine makers in the region, and it’s very interesting. I’m always learning more about wine here.
Paolo Rigiroli
Yeah. I’m very interested to know if there is any differences in wine production between North America and Italy, for what you were able to observe there, in Piedmont.
Diana Zahuranec
There are huge differences! Of course I didn’t actually ever go and visit wineries in Napa, and I don’t know a ton about American wine, but I know a lot more about the differences in the American and Italian culture. And I do know… that a big difference is the size of wineries. In general, the average Piemonte winery is small – it’s a family production. I think that it goes without saying for all of Italy that a lot of the wineries here are small. You can consider a big winery to make about maybe 500 thousand bottles a year, and a really big one maybe a million bottles in a year, whereas in the United States a big winery could make several million cases, and in a case are 12 bottles of wine! So that’s a huge difference.
Paolo Rigiroli
I see, I see, so the size… Which I suppose goes with the size of the territory.
Diana Zahuranec
Yes, it does, definitely. And so that kind of gives a difference in the mentality. Because if you’re a small winery, you’re doing all the work, you’re doing everything. From the wine-making, you’re in the cellar, you’re in the vineyard. You are producing the wine, and you are promoting it too – you’re inviting guests into the wineries, so you’re doing everything. Whereas these big wineries [in the US] are great at accommodating people and making a profit off of it… because they can charge people when they come in and taste wines. These wineries in Italy, I can think of maybe one that would charge you to actually go on a tour…
Paolo Rigiroli
Well, I guess they’re proud of it. And they’re not used to having too many visitors as well, I suppose. It’s their family business. So, it’s not just a job – they will take you through and show you everything. As oppose to, you know, you [meeting] the public relations representative for the company. And maybe tours are one of the services offered – whether it’s for money or not – but it’s still just your job – right?
Diana Zahuranec
Exactly, exactly. There’s a lot of passion. It’s their life. It’s what they do all year round, all the time.
Paolo Rigiroli
Yeah, I remember my experience about Piedmont and wine is [that] my dad used to order wine from Piedmont, a place called Lu [in the Monferrato region] – a very small town. This maker was extremely small, and I remember every year we would go and he would order the wine and then he would get it shipped and then he would bottle it himself in my grandma’s basement. And, me and my brother, which we were like 8 and 4, were there to help bottling the wine. Which may sound crazy to North Americans… that kids are involved in the production… But that’s the thing – kids don’t like wine because it’s kind of an acquired taste and we were never interested… But, going back to Piedmont, I remember visiting this production and particularly the cellars – this super cool, dark place, and cool in temperature too – it was like, maybe 16 Celsius? – And then they would get a little bit of wine out of these kegs and pour it in a nice glass, and bring it upstairs, to taste it on the kitchen’s table. And this is how my dad would choose which wines to order.
Diana Zahuranec
Ohh, that’s so nice!
Paolo Rigiroli
Yeah. It was fantastic, that’s still my memory. So I’m imagining that this scales to the entire region, pretty much…
Diana Zahuranec
Yes.
Paolo Rigiroli
And, what about the process itself… the actual production. Do you know of any differences, on the technical side?
Diana Zahuranec
I don’t know a lot about the technical processes of winemaking, in the two different countries, but I do know that California uses a lot of water and irrigation, whereas in Piedmont they don’t, it’s a lot of dry cropping. As of maybe two years ago, I think, they allowed certain regions to use water in extreme droughts… but I know that in general they don’t use irrigation at all. They kind of look at [irrigation] as “forcing the plant”, you know, it’s not its natural habitat, you’re forcing it to drink water when nature wouldn’t give it to it.
Paolo Rigiroli
Mm-hmm (affirmative).
Diana Zahuranec
And actually this is another thing that is different between here and the US, as much as I know. This goes hand in hand with their practices in the field, which are very often organic, but not actually certified. They’re organic and they are sustainable, but they’re not certified. Because they do it out of respect for the vine and for the vineyard, they don’t try to find loopholes in organic [food] certification where they can use a little bit of one chemical, or not, but they really try not to use any chemicals at all, many winemakers don’t. So this is good news…
Paolo Rigiroli
Yes, absolutely and I noticed this in general, in Italy and Italian products, ‘organic’ (or “agricoltura biologica” as they say) is present and you can find it even in supermarkets, there’s a section on organic food, but it’s not as trendy as it is here.
Diana Zahuranec
Right.
Paolo Rigiroli
I think that in general the consensus is that there isn’t much difference with respect to regular produce and there certainly isn’t much [difference] in flavor in Italy, I find.
Diana Zahuranec
Oh, no. No, there’s not a difference in flavor at all.
Paolo Rigiroli
Mm-hmm (affirmative).
Diana Zahuranec
Actually, the organic might even be not less flavorful, but “older” because people don’t really buy it and so the products get old quickly.
Paolo Rigiroli
Exactly. Not as fresh. Yeah. What about instead the differences in culture? What is your experience with that? How do you see Italians relate to wine?
Diana Zahuranec
Yes, that’s a very big difference from the US and Italy because wine is really a part of [the Italian’s] daily life and it always has been.
Paolo Rigiroli
Mm-hmm (affirmative).
Diana Zahuranec
Even a glass of wine at lunch time is not looked down upon and it’s always drunk with food. It’s not really this special drink for only special people during parties or other holidays, but it’s an everyday drink that you have with your food. The difference with that in the U.S. is that I see often in movies or television shows or pictures on Instagram, for example, people will have their full glass of wine by their computer as they work.
Paolo Rigiroli
Mm-hmm (affirmative).
Diana Zahuranec
Or they’ll have one right as they come home from work to unwind and de-stress and it’s seen … To an Italian, I think that would be like taking it out of its context. I’m not saying it’s bad to drink it like that, but it doesn’t make sense to an Italian to drink it like that. It makes sense to drink wine with food. It’s part of the meal.
Paolo Rigiroli
Yeah, appreciation of food itself is to have it with a little bit of wine and pair it. If you’re having fish, of course you’re going to prefer a white wine and red wine will go, of course, with meats and cheeses, especially hard cheeses.
Diana Zahuranec
Yes. And a lot of the times these reds, or these white wines, if you have it without food, it just isn’t the same. Piedmont is famous for having very tannic wines.
Paolo Rigiroli
Mm-hmm (affirmative).
Diana Zahuranec
Which is tannins are that feeling on your tongue of having a dry wine. It can get a little bit tiring on your palate if you just keep drinking wine after wine.
Paolo Rigiroli
Mm-hmm (affirmative).
Diana Zahuranec
Which I’ve noticed at different tastings with Nebbiolo, [which] is one in particular that’s very tannic. We can talk about that later, but… If you just drink this wine without having any food with it, you miss out on a lot of flavors and a lot of the enjoyment because… it’s just too much to handle, basically.
Paolo Rigiroli
Interesting.
Paolo Rigiroli
We already mentioned that you are based in Piedmont, of course, and Nebbiolo is one of the wines that you have been tasting. Would you say that that’s one of your favorites?
Diana Zahuranec
It is definitely my favorite. The favorite. It makes… several famous wines that come from Piedmont, such as Barolo and Barbaresco. But it also makes a lot of other wines, always from Piedmont, such as a Langhe Nebbiolo, there’s a Roero Nebbiolo, or different Nebbiolos from Alto Piemonte, like Boca, and Ghemme, and Gattinara.
Paolo Rigiroli
Mm-hmm (affirmative).
Diana Zahuranec
There’s so many, and every time you taste them, even though it’s 100% Nebbiolo grape, they all taste different.
Paolo Rigiroli
Yes.
Diana Zahuranec
They all have a very different profile, and it’s so interesting and I just love Nebbiolo. Never disappoints.
Paolo Rigiroli
All these wines are based on the same grape and they’re just aged in different ways to achieve a different product, a different wine that is a different denomination, correct?
Diana Zahuranec
Right. Or maybe people would understand more appellation? I don’t which one is used more, but that’s right. Although the differences come also from the soil or altitude.
Paolo Rigiroli
Right. Nebbiolo itself is also an appellation. It’s not just the name of a grape.
Diana Zahuranec
Right.
Paolo Rigiroli
It’s also one of my favorites, by the way. I do like that family of wines as well. I don’t like wines that are too mellow. I don’t know, if I can describe that…
Diana Zahuranec
Yeah, it’s definitely … No, it’s definitely not a mellow wine. They’re very… At the same time, they’re elegant and powerful.
Paolo Rigiroli
Mm-hmm (affirmative).
Diana Zahuranec
It’s hard to explain that unless you actually drink it and understand how the wine is. It’s a really great wine.
Paolo Rigiroli
Yeah, and [about] Nebbiolo, also there’s a curiosity about the name, which I happen to know. I’m sure you want to talk about it.
Diana Zahuranec
Sure. Yeah, Nebbiolo comes from the word ‘nebbia’, which means fog in Italian and it takes its name from this because the fog is a big part of the landscape in Piedmont… And Nebbiolo is a late maturing grape that has a very long growing cycle. It’s harvested whenever the mists start to roll in, in the late fall. That’s why it takes it’s name from ‘nebbia’.
Paolo Rigiroli
Fantastic. It’s always fascinating to picture it. When I think of Nebbiolo, I do see the rolling hills covered in fog. It kind of makes it really magic. It’s really cool. What about other grapes in Piedmont?
Diana Zahuranec
Oh, yes. Piedmont has a lot of different native varieties. The big ones (that actually are produced even more than Nebbiolo) are Barbera [and] Dolcetto, two big red grape varieties.
Paolo Rigiroli
Mm-hmm (affirmative).
Diana Zahuranec
White ones are Moscato and Arneis. Then there are lots of others. I mean, tons of these obscure names, especially in the higher hills.
Paolo Rigiroli
Mm-hmm (affirmative).
Diana Zahuranec
But others that you might come across, for red wines are the Verduno Pelaverga.
Diana Zahuranec
And there’s Grignolino, Ruché and Freisa, these are all red wines. And red grape names as well, the wine is named after the grape. For other whites that you may find, there’s Gavi, Erbaluce, Nascetta, and Favorita. And these are all other names that you might find around. I think, Gavi and Erbaluce for the white wines, you will find more commonly abroad than the others, but obviously the Moscato and Arneis and the big names that I’ve already named, you will be able to find those abroad.
Paolo Rigiroli
Mm-hmm (affirmative). Do you have more information on any of these wines? Like Barbera or Dolcetto?
Diana Zahuranec
Yeah, Barbera and Dolcetto are the names of the grapes and then they make a lot of different wines and you’ll find them named after like Barbera d’Alba, Barbera d’Asti. The same thing with Dolcetto and that comes from where they’re made. So ‘d’Alba’ means ‘from Alba’, ‘d’Asti’, ‘from Asti’, which is in the Monferrato, a winemaking region in Piedmont. Dolcetto, for example, you might find Dogliani. It might just be called Dogliani, even though it’s Dolcetto di Dogliani. That’s another place where it’s made, or Dolcetto di Ovada, which is a really great Dolcetto.
Paolo Rigiroli
And all these are wines which are D.O.C., as we say in Italy, so that the denomination of origin is controlled.
Diana Zahuranec
Yes.
Paolo Rigiroli
Which means that they are certified to be produced from grapes from that particular region that their appellation refers to. Is that correct?
Diana Zahuranec
Exactly. Yes, it also puts some different guarantees on the quality and the time that it’s aged.
Paolo Rigiroli
Mm-hmm (affirmative).
Diana Zahuranec
How many months or in what kind of material it’s aged in, wood or stainless steel. It depends of course on the wine. And then there’s D.O.C.G., which is, you could say one step higher.
Paolo Rigiroli
Yes.
Diana Zahuranec
And of course you can find wines of great quality that aren’t even certified at all.
Paolo Rigiroli
Mm-hmm (affirmative).
Diana Zahuranec
But this is just a general rule to figure out what those letters mean on the labels.
Paolo Rigiroli
Yeah, absolutely. I think if you’re not familiar with the wine, it’s a good thing to look for the certification because it will give you certain guarantees. Diana, it has been fantastic, of course, talking with you. It’s so fascinating and I wish really to take a tour now in Piedmont and go through all those valleys and try all the wines that you mentioned, because I do know a few of them, but I can’t say that I’m an expert, so I definitely have work to do.
Diana Zahuranec
Oh yeah, you should visit. You’re invited and anyone listening to the podcast is invited to come to Piedmont.
Paolo Rigiroli
Absolutely. You’ll take them around personally.
Diana Zahuranec
Yes (laughs).
Paolo Rigiroli
That’s what Diana is promising you (laughs).
Paolo Rigiroli
So, for you listening, if you have enjoyed this podcast, please do us a favor. Go on iTunes or whichever podcast player you use and subscribe. It really means a lot to us, and if you’re inclined, please leave a review as well on iTunes. Feedback is always welcome. Leave your comments there or on the blog. We’re very happy to hear anything you may have to say and it’s really important to us. Diana, again, thank you so much. It’s been awesome.
Diana Zahuranec
It has been great – thank you.

Squash Risotto, a Comfort Dish for Winter

Squash risotto (or risotto con la zucca), is a traditional risotto common in all northern Italy. The squash gives an especially mealy texture, and a sweeter flavor to it, along of course with a beautiful orange color. But what is squash, exactly?

Along with melon, watermelon, cucumber, zucchini, pumpkin, and gourd, squash belongs to a plant family called cucurbitaceae. Even though they’re all fruits, with the exception of melon and watermelon, the cucurbitaceae are used as vegetables. There are two kinds of squash: summer squash (e.g.: zucchini, straightneck squash), harvested as they ripen in the summer, and winter squash (e.g.: acorn squash, butternut squash, spaghetti squash), harvested in fall, when they are fully mature, their seeds have dried out, and their skin has hardened. Winter squashes have historically played a significant role in the kitchen because they can keep for several months (lasting well through winter) and because when cooked they develop an agreeable flavor, and a starchy, mealy texture similar to sweet potatoes*. Out of the various kinds of winter squash, the sub-family called ‘cucurbita maxima’ is particularly notable because of its size. In Italy, it’s generally called zucca gialla o dolce (yellow or sweet pumpkin), an example of which is the zucca mantovana (Mantua’s pumpkin) used to make the renowned tortelli con la zucca (pumpkin tortelli). In North America, cucurbita maxima includes several common squashes: hubbard, turban, kabocha, buttercup, and banana squash. Banana squash is especially suitable for this recipe because of its moderate sweetness and firm texture.

*Harold McGee. On Food and Cooking: The Science and Lore of the Kitchen. 2nd edition (2004)

Squash Risotto, a Dish for Winter

Yield: 2 servings

Total Time: 25 minutes

Prep Time: 10 minutes

Cook Time: 15 minutes

Squash Risotto, a Dish for Winter

Ingredients

  • 250 g winter squash (e.g. banana squash)
  • ¼ white onion, sliced
  • 1 tablespoon of butter, olive oil, or a mix of the two
  • 2/3 cup Arborio rice
  • 2 ½ cups vegetable stock
  • ½ glass white wine, at room temperature
  • 20 g Parmigiano, grated
  • Salt and black pepper

Preparation

  1. Finely chop onion and dice the squash.
  2. Bring the vegetable stock to a simmer in a small pan.
  3. In a larger pan, roast the onion in butter, oil, or a mix of the two until translucent, then add the squash.
  4. Season with salt and cook until the squash is soft. Put a couple of tablespoons of it aside and keep warm, mash the rest with a ricer (or in the blender).
  5. In the pan where the squash was roasted, add a bit more butter or oil, then toast the rice for a couple of minutes at medium heat until translucent. Add the white wine and stir until it fully evaporates.
  6. Add the mashed squash and stir in the stock, one ladle at a time, allowing it to be absorbed before adding more stock.
  7. Continue stirring and adding stock ensuring that the risotto and the stock continue boiling gently throughout the process.
  8. After 15 minutes of cooking, at a time when the risotto is quite moist, remove it from the heat, stir in the Parmigiano, and let it rest for a minute.
  9. Serve the risotto in bowls and decorate with the cooked squash and a sprinkle of black pepper.
https://www.disgracesonthemenu.com/2016/01/squash-risotto.html

 

Pesto alla Trapanese, with Almonds and Fresh Tomatoes

I’m from northern Italy – only been to Sicily once – and I only had heard about this dish before moving to Canada. Thanks to my friends food-bloggers, however, this dish tickled my attention, I starting making it, and I think it has already become part of my repertoire! What I love about Pesto alla Trapanese is how fresh it tastes, and that it can be prepared quickly (as the pasta cooks) and pretty much all year-round (unlike Pesto alla Genovese which requires large amounts of fresh basil, which is best in the summer).

Since I’m far from an authority on this dish, I’m presenting a variation over Frank Fariello‘s rendition. Similarly, it makes use of uncooked cherry tomatoes that are mixed in with other ingredients in a blender – a method quite common these days, as opposed to using mortar and pestle (which is traditional and at the origins of the name “pesto”). Aside from the blending technique, I substituted Pecorino for the milder (though geographically incorrect!) Parmigiano, and increased the amount of almonds for a grittier and drier sauce.

 

Pesto alla Trapanese, with almonds and fresh tomatoes

Yield: 2 servings

Total Time: 15 minutes

Prep Time: 5 minutes

Cook Time: 10 minutes

Pesto alla Trapanese, with almonds and fresh tomatoes

Ingredients

  • 6-8 (140 g, 5 oz in weight) cherry or strawberry tomatoes
  • 1 garlic clove, minced
  • 8 basil leaves
  • 40 g (1 ½ oz) almonds, blanched (chopped or whole)
  • 40 g (1 ½ oz) Parmigiano, coarsely grated
  • 3 tablespoons extra virgin olive oil
  • 140 g (5 oz) spaghetti, linguine, or even short pasta like farfalle or fusilli
  • coarse salt (1/2 Tbsp per liter, 2 Tbsp per gallon of boiling water)

Preparation

  1. Bring a big pot of water to a boil.coring and scoring a tomato
  2. Toast the almonds in a pan at high heat for a couple of minutes until they get some color, but before they turn dark.
  3. Core the tomatoes and score their skin (see illustration on the side).
  4. Boil the tomatoes for 20 seconds, then dip them in cold water to stop the cooking. Keep the water boiling, you’re going to use it to cook the pasta.
  5. Salt the water and cook the pasta according to the instructions on the box.pesto alla trapanese, blender
  6. As the pasta cooks, peel the tomatoes and squeeze them to remove seeds and excessive liquid.
  7. In a blender, mix all ingredients so that they turn creamy, but still a bit coarse. I used an immersion blender and it worked very well.
  8. When the pasta is cooked, drain it and put it back in the pot along with the pesto. Mix gently and serve immediately.
https://www.disgracesonthemenu.com/2016/01/pesto-alla-trapanese-with-almonds-and-fresh-tomatoes.html

 

pesto alla trapanese

 

Spätzle-style Passatelli Sauteed with Radicchio, on Cheese Fondue

Passatelli are a variation of “stracciatella”, an ancient soup that can be found in various parts of Italy. To make stracciatella, a mix of egg, cheese and (optional) breadcrumbs is whisked into boiling broth, resulting in bits of ripped dough that resemble small tore rags (“straccetti”). To make passatelli, instead, the dough is forced through a heavy perforated iron, resulting in irregularly shaped short noodles of variable thickness (their name comes from “passare” = to go through). You can see the passatelli iron in action in this youtube video produced by a local television in the Romagna area. Passatelli are a classic dish of the Emilia-Romagna, Marche, and Umbria regions, where they are traditionally boiled in broth and served as a soup.

Since the passatelli iron is nowadays hard to find (even in Italy), some suggest using a potato ricer with large holes. You can see it demonstrated in the second part of the same video. While this can be effective, it produces noodles of uniform thickness, removing that irregularity that is characteristic of the dish.

For my interpretation of passatelli, I made use of a spaetzle maker, which is fairly common in kitchen stores (and on amazon.com). The resulting passatelli are slightly shorter and thinner than they should be, but I found that they work especially well when served dry, as opposed to in a soup.

As for the proportions between the ingredients, I went with the original recipe presented by Pellegrino Artusi in his famous recipe book: Science in the Kitchen and the Art of Eating Well, which was first published in 1891. This differs from modern day passatelli which generally feature equal amounts (in weight) of breadcrumbs and Parmigiano. Also, Artusi calls for a small quantity of bone marrow “for extra softness,” which is no longer used. Instead, I kept the idea, but replaced the bone marrow with softened butter.

Even though I followed Artusi’s proportions for the dough, I served the passatelli according to a more modern tradition. Particularly, I tried to replicate the presentation suggested in the video mentioned above, in which boiled passatelli are drained and sauteed in butter with a small amount of radicchio, and then served over a light cheese fondue. The result was truly amazing! A very successful dish that can totally be the star of the show in a rustic and cozy meal.

Spätzle-style Passatelli Sauteed with Radicchio on Cheese Fondue

Yield: 2 servings

Total Time: 40 minutes

Prep Time: 30 minutes

Cook Time: 10 minutes

Spätzle-style Passatelli Sauteed with Radicchio on Cheese Fondue

Ingredients

     For the dough

    • 100 g (3 ½ oz) breadcrumbs (made from plain stale bread, without oils or additional ingredients)
    • 40 g (1 ½ oz) Parmigiano, grated
    • 20 g (¾ oz) unsalted butter, softened
    • 2 eggs
    • Sprinkle of grated nutmeg
    • 2 liters (½ gallon) of vegetable stock

     For sauteeing

    • 1 ½ Tbsp unsalted butter
    • ¼ of a small radicchio, sliced
    • Salt and pepper

     For the cheese fondue

    • 1 Tbsp unsalted butter
    • 1 Tbsp white flour
    • ½ cup milk
    • 20 g (¾ oz) Parmigiano, grated
    • 40 g (1 ½ oz) Fontina, (or Swiss cheese), diced

    Preparation

       For the dough

      1. Mix all ingredients except for some of the breadcrumbs.
      2. Kneed for a few minutes until obtaining a soft dough that is not too sticky, adding the remaining breadcrumbs as needed to obtain a workable consistency.
      3. Squeeze the dough through the holes of the spaetzle grater. See here for the video.making spaetzle-style passatelli
      4. Bring the broth to a gentle boil, then toss in the passatelli.
      5. Continue boiling until the passatelli will float, then drain them gently.boiling passatelli

       For sauteeing

      1. Sautee the radicchio in butter until softened. Adjust with salt and pepper.sauteing radicchio
      2. Add the boiled and drained passatelli. Toss them gently to lightly sautee them.spaetzle-style passatelli

       For the cheese fondue

      1. Place the butter and a tablespoon of water in a small pan at medium heat to prepare a light bechamel.
      2. When the butter melts add the flour and mix vigorously until you hear a sizzling sound.
      3. Gradually add the milk, starting with a very small amount and mixing until completely absorbed.
      4. Continue until all milk is incorporated. Allow it boil for a minute to complete the bechamel.
      5. Add the Parmigiano and the Fontina, mix until they’re fully melted.making cheese fondue
      6. Assemble the dish by placing the cheese fondue in the bowls, then lay the sauteed passatelli over top.
      https://www.disgracesonthemenu.com/2016/01/spaetzle-style-passatelli.html

      [Thoughts on the Table – 39] A Christmas Episode, with Gino De Blasio

      I’ve always wanted to talk about Panettone, Pandoro, and other traditional Christmas food in Italy. When Gino De Blasio suggested that we should do a podcast on the subject, I got very excited. We then arranged the recording, and my excitement can fully be heard in the show 🙂

      In this episode, Gino and I discuss the difference between Panettone and Pandoro, and how such difference very much divides the Italians. We also mention a savory preparation called Panettone Gastronomico, which is traditionally served as an appetizer before the Christmas meal. Finally, we talk about ‘cotechino con lenticchie’ the traditional Italian New Year’s Eve dish, and the superstitions that surround it.

      Gino and I would like to wish you happy and safe holidays, whether you’ll be having Pandoro or Panettone 🙂 Thanks everyone for listening and in advance for your feedback!

      You can follow Gino on his website, as well as on Twitter.

      Listen now!
         

      [Thoughts on the Table Transcript] Gino De Blasio on Slow Food/Fast Food

      Continuing on the series of transcripts, up next is the textual form of an old episode with my friend, writer Gino De Blasio. In this podcast, Gino applies his amazing storytelling to describe the origins of the Slow Food Movement, in response to the fast-food orientated mentality that was spreading in Italy in the ‘80s.

       

      Listen to the original episode

       

      Paolo Rigiroli
      Hello and welcome to the audio blog, Paolo here for another episode of Thoughts on the Table with Gino De Blasio. Hi Gino, good morning, good afternoon actually today. How are you?
      Gino De Blasio
      Not too bad. Good morning to you Paolo. How are you?
      Paolo Rigiroli
      Good. Today we connected in the afternoon for Gino and morning for me. Much better, I have to say. Today, a-
      Gino De Blasio
      Everybody feels more polite.
      Paolo Rigiroli
      Yes, it’s more ourselves, I think, I hope. We’ll see. Anyway, yeah, today a different topic, today we’re going to talk about slow food and fast food. Gino, you were saying, you would like to start with some history of the slow food movement.
      Gino De Blasio
      Yeah, and I think it’s a fantastic area, fantastic moment in food history. You have to go back to, this is me now storytelling, so kids try and keep awake, so you have to go really back to the mid 1980s. It was a time where capitalism, free market economics was rife. You have the Reagan era in the States, the Thatcher era in the UK. It was really at the forefront of thinking. Communism was being broken down from the east slowly and surely.
      Gino De Blasio
      You have to think of this very wobbling time of what you could regard as really a capitalist machine, a capitalist model. What was behind that really in terms of food was fast food. Now, in 1986, at the height of this capitalism, the golden arches of McDonald’s sent Carlo Petrini into shock.
      Paolo Rigiroli
      Italy already had some fast food chains. There was in the north, I don’t know if it was widespread all over Italy or not, a chain called “Burghy”.
      Gino De Blasio
      Yes.
      Paolo Rigiroli
      A few of us would remember. “Burghy” is Italian pronunciation of “burgy” [from burger]. You were right, fast food was up and coming and a lot of people were interested.
      Gino De Blasio
      Yeah. There was this fascination because culturally, you just look at the films that were being produced. 1980’s Italy was probably what you would say at its lowest in terms of quality. Foreign films were all the rage. If you look at the 1980s films, they were really highlighted by the Spielberg era, the Back to the Futures. Which it was so popular, I mean it was popular everywhere, but in Italy people were talking about the Delorean because they were so fascinated about the car, all these things.
      Gino De Blasio
      That’s what it was embodying. That’s what it was trying to capture. I think Italy was trying to capture it through this idea of the food. Basically, Carlo Petrini, he started this movement in 1986 because McDonald’s opened on the Spanish steps.
      Paolo Rigiroli
      That was his first McDonald, is that right?
      Gino De Blasio
      I think that was the first McDonald’s in Italy.
      Paolo Rigiroli
      In Italy, that’s right.
      Gino De Blasio
      It was in a lot of ways being accepted. This will be the norm, and that was Petrini was against. In fact, he was against this idea that food isn’t being savored, both in the preparation and in the execution and in the tasting. He conjured up this brilliant movement called the slow food movement. Really, the way to think of it is take the recipes from old, from yesteryear, we’ve spoken about it in the previous podcast, La Cucina Povera, those elements, but bring them to the forefront of our imagination again. We spoke last week about the polpette in a sauce. Now, that is slow food. All of these things which are classical home and rustic dishes, that’s what the slow food movement started to bring back to our imaginations. It was moving away from this capitalistic drive, and a lot of people see it as this anti-globalization movement.
      Paolo Rigiroli
      Yeah, that’s part of it.
      Gino De Blasio
      In terms of food, it actually is because it’s taking the local ingredients, local chefs, and bringing it altogether. I speak with a smile in my voice because it is a fantastic, fantastic movement, and one which I think can be unique to every nation.
      Paolo Rigiroli
      Yes, yeah.
      Gino De Blasio
      It’s absolutely amazing, and I think if you were to look at, for example, there’s a … Can I say his name? The celebrity chef?
      Paolo Rigiroli
      Yeah, of course you can. Yeah, absolutely.
      Gino De Blasio
      Jamie Oliver with his Ministry of Food. That is almost going into the slow food movement in some regards. That’s about actually growing your own food, about making things basic in the kitchen, and giving people cooking lessons, which is what the slow food movement has become in Italy with Petrini’s latest Eat Italy.
      Paolo Rigiroli
      Yes, yeah.
      Gino De Blasio
      It’s that one world Eat Italy, all is one, Eataly. These are big complexes where people can go to learn about how you grow your food, how you eat your food, where your food chain comes from. It’s all part of this movement which is really, like you said, it’s trying to dig back into the past and say, “This is what it is, fantastic to have it.”
      Paolo Rigiroli
      It’s also behind the Salone del Gusto, the Salon of Taste that takes place in Turin in October. I think it’s every two years.
      Gino De Blasio
      Every two years.
      Paolo Rigiroli
      Yeah.
      Gino De Blasio
      Yeah, I remember reading something about like how it was they have all these competitions of regional cuisine and some of the things. In your experience, fast food in Italy, apart from the burger of the 80s, how is it regarded? How do you see it as being considered?
      Paolo Rigiroli
      Well, a lot of Italian food is fast by nature. A pizza takes 90 second to cook. Fast food doesn’t necessarily mean a bad thing. There are a lot of chains that do produce something that can be considered fast food, the Autogrill chain, or Spizzico, Ciao. These are owned by large organizations. Yeah, probably the slow food movement would have a lot against them. However, in my opinion, they do make something that is quite authentic. Overall, they provide a service which is useful when you’re traveling and often you’re driving around Italy, and stopping at the Autogrill is a very refreshing experience, and sometimes, you may even have a good meal. Actually, often you do have a good meal.
      Gino De Blasio
      Yeah, I mean, this is probably for another podcast about service station meals.
      Paolo Rigiroli
      Oh yeah, very interesting.
      Gino De Blasio
      Yeah, there’s a whole podcast in it, but the one thing that I will always get for my friends who travel to Italy, if they’ve ever had to drive a car, there will always be stories, firstly, how they were scared for their lives whilst driving, and the second one is how well they ate.
      Paolo Rigiroli
      Yeah. It is remarkable.
      Gino De Blasio
      It is amazing. You get such a variety, and it’s so cheap, which is the complete opposite to, well, in England where you look and get four times a price of what it would normally cost and it taste absolutely awful.
      Paolo Rigiroli
      Yes. I think Autogrill is relatively cheap compared to a restaurant but is fairly priced. I’ll have to say, it’s not the level of other fast food chains where really the race for the lowest possible price seems to always be there. Frankly, shocks me to see that you can get a burger for 1.75. One eats that not because it’s the best way to use the $1.75, but because it’s the fastest, the easiest way.
      Gino De Blasio
      I noticed there’s more McDonald’s in Italy.
      Paolo Rigiroli
      Yeah.
      Gino De Blasio
      I think people have become more accustomed to it. McDonald’s has had to change its menu for Italy. It’s now offering pasta, which you won’t find in England. I think it’s trying to cater for the local palate.
      Paolo Rigiroli
      Also, there is a place for a chain, especially in the big cities, when people live a very frenetic life and they need to get from Place A to Place B and grab lunch in-between.
      Gino De Blasio
      Yeah, and I think as long as the market demands it, there will always be a McDonald’s or a Burger King. I keep on saying McDonald’s but I think-
      Paolo Rigiroli
      Oh yeah, it’s not just McDonald’s.
      Gino De Blasio
      A generic fast food equivalent, which is why Spizzico has come about. People want a piece of pizza. It’s great idea. It’s a grab and go. It is what it is. It’s not the pizza which might be which my pizzaiolo makes.
      Paolo Rigiroli
      No, absolutely.
      Gino De Blasio
      Admittedly also, I get much better customer service from the Spizzico than I do from my pizzaiolo (laughs).
      Paolo Rigiroli
      Very good point (laughs).
      Gino De Blasio
      I’m usually getting a lot and lots and lots, into a lot of trouble with my pizzaiolo…
      Paolo Rigiroli
      We should be talking sometime about customer service in restaurants-
      Gino De Blasio
      Oh, that’s even another podcast… Yeah, we got service station, customer service.
      Paolo Rigiroli
      Yeah, I wrote articles on both my blog. You can read about my view of Autogrill and my view of customer service in restaurants. A lot of interesting considerations, I think, that one can make. A good travel guide for people that want to visit Italy and venture themselves into what customer service is or isn’t.
      Gino De Blasio
      Yeah (laughs).
      Paolo Rigiroli
      It’s all relative, I think we’re used to it a little bit too much in Italy. Personally, I think it could be better, but at the same time-
      Gino De Blasio
      I don’t think it’d be hard to improve.
      Paolo Rigiroli
      No. It won’t be hard to improve. I am the first to admit it and I am sorry. I apologize to all the people that didn’t get treated the way they do at home. However, people go to restaurants for the food more than for the hospitality. You go to somebody who is the owner. It’s not your host necessarily. It’s the person that owns the place, and you adapt to their customs and their rules, as long as they feed you what you know they can make and make really well. We’re willing to put up with that. Yeah, we should talk about it some other time, so much to say.
      Gino De Blasio
      So much. We’ve spoken at large about really the slow food movement. We’ve touched upon the fast food moment. Where do you see Italy now? Do you see it turning more towards the slow food or do you feel that we’ll be a cultural shift to more fast food orientated mentality? What do you see happening?
      Paolo Rigiroli
      I think that the slow food doesn’t need to be a movement in Italy, necessarily. There is a large resistance built-in with the Italians. Fast food would naturally be there and grow, reach its potential, but it won’t takeover slow food. There is no such risk. You may even start to see a Starbucks, just to name some more brands in this episode. I don’t think espresso will ever be lost in there and the many non-chains that make fantastic espresso in every Italian city. There’s no risk because of there’s such a at base palate that is entrenched in the people from Italy. You’ll occupy as much room as the Italian allow it to occupy, and then the rest will still be family dining and traditional restaurants.
      Gino De Blasio
      I certainly agree. I certainly think coffee, it’s not that I don’t think I’ll ever see a Starbucks, but I don’t ever think I’ll see the fruition of Starbucks or all the large chains. I think one of big thing would be trying to make people queue for their coffee. I can’t see that in Italy. I don’t think it would go down well, because of the culture where you walk in, you stand at the bar, within a minute, you’ve got your espresso.
      Paolo Rigiroli
      Yeah.
      Gino De Blasio
      The word espresso means quick. This morning I went to have a coffee in a chain and it took me nearly 8 minutes to get served and there was only one person in front of me. It is like, that just couldn’t happen. It just couldn’t.
      Paolo Rigiroli
      Yeah, it’s weird. It’s the double-edged sword of good customer service. If they’re too good with the person in front of you, it may get very, very slow. In Italy, it wouldn’t be acceptable. You know what you gain, you know what you lose too, because there’s no way you can have a conversation with your barista because he’s got to move. He’s got to get on the next one really quickly.
      Gino De Blasio
      As my granddad always say to me I many occasions, most things in Italy are slow, apart from the cars and the coffee. I think that’s different. Coming back to where we see Italian food moving, I think what would might be successful is something which is almost marks it really on a slow food ideology of the produce that we get is from a ten-mile radius from here. Things like that. I think that would see more success.
      Paolo Rigiroli
      Yeah, the ‘eating local’ idea, I think, would be welcome. It does already happen. In Italy, we’re fairly lucky that we can grow a lot of produce locally, not all of it, but some more than other, more northern countries where it’s harder to produce locally without expensive greenhouses. I think it may become more of a trend to advertise that and enforce it.
      Gino De Blasio
      Yes, yeah.
      Paolo Rigiroli
      Gino, I think we got to the end of this episode. It was a very fascinating discussion for me. I’ve learned a lot researching about it and talking about it with you, Gino, this morning. I hope that you people listening have enjoyed it. We’re looking forward to your feedback as usual. Please contact us. There are several ways, on the website, on my blog, disgracesonthemenu.com, on Gino’s blog….
      Gino De Blasio
      eatosi.wordpress.com
      Paolo Rigiroli
      As well as through our Twitter and Facebook handles. You will find them very easily on the websites. Thanks very much for listening. We’ll get back to you with another episode shortly. Bye-bye.
      Gino De Blasio
      Take care.

      My Guest Post on The Basic Rules of Italian Food

      A few weeks ago, Diana Zahuranec, friend and recurring podcast guest, asked me if I was interested in writing a guest post for her blog: Once Upon a Time in Italy. Having lived in Italy for 5 years, Diana couldn’t help but notice that, when it comes to food, the otherwise chaotic Italians seem to follow a set of unwritten rules. As an example, no Italian would dare cutting spaghetti in the plate, and if they could they would personally stop anyone who tried!

      Naturally, I accepted. But to try to be as complete and fair as possible, I enlisted several foodies to help me identify the subset of habits that can be considered as general, those that most Italians would recognize as rules. This is how The Basic Rules of Italian Food was born!

      As you visit Diana’s blog, don’t miss her great articles on exploring Piedmont, on life in Italy, on writing, as well as her recipes and food stories.

      I would like to thank Diana for the opportunity, as well as the fellow bloggers and friends that helped with the article, particularly: Cristina Pepe, Pola M, Ilaria M, Marta, Fernando Santagata, and Simona Carini.